Animating Last of Set 1
- Clothes, helmet, torch for the puppet of Nina, definitely I am finding this a lot easier now that I had plenty of practice.
- Sourcing rigging method for Set 2 - recently I was given about a 2xA3 size sheet of steel so I will be able to hold the puppet on the set by putting magnets in its shoes.
- Set 2 Animation will consist of patches of set, as there really is no need for full sets here. This will enhance the feel of a story within the story.
- That caver puppet has slightly had to change in the design to be able to carry the battery pack. I simply did not put harness on her as with the backpack it would be too much noise.
- Naomi Crame did my Title and End, I really like it, it took a few tries but now it fits the theme well.
- Matteo Falco did fantastic job with the music in the animated parts as well as the animatic parts of the film.
- Tom Kavanagh, who did SFX for my Quickdraw challenge film did also fantastic job with SFX on the Set1 animation in fairly short time. I am honoured to be able to work with such talented people this year.
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Re-making the pendant that Petra made for me as the original is locked up at the University. |
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Preparation for making boots |
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Wrapping feet in plasticine then latex layers |
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Removing plasticine, putting the boots back on |
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Plasticine helmet mould |
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Making helmet out of Polymorph coloured with acrylic paint |
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Fully working helmet with mini LED torch |
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Plasticine mould for shoe soles. |
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Same technique just different colour latex. Aluminium foil coated with latex and sprinkled with sugar for set 2 |
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Making Fireflies out of epoxy putty |
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So many of them |
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Coating it with blue glow in dark paint |
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It is so pretty |
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Animating the silhouette for shadow play |
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Animating fireflies |
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Cave creation before dressing |
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Base for set 2 including steel base (covered with sugar) |
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